Gaffaweb >
Love & Anger >
1991-23 >
[ Date Index |
Thread Index ]
[Date Prev] [Date Next] [Thread Prev] [Thread Next]
From: Dances With Voles <jondr@sco.COM>
Date: Mon, 1 Jul 1991 09:31:11 -0800
Subject: Re: Compression on TSW
To: rec-music-gaffa@sco.COM
Newsgroups: rec.music.gaffa
Organization: Mangled Bloody Carcass Of Sound Productions
References: <9106271842.AA03264@c5_aspen.aspen>
Relay-Version: B 2.11 6/12/87; site scorn
Reply-To: Dances With Voles <fscott!jondr@uunet.UU.NET>
Sender: news@sco.COM
No one yet knows why rlm@ms_aspen.hac.COM (R. L. McMillin) said: >As for Jon Drukman's comment, "Compression is used on practically everything," >I suggest you take a listen to Telarc CDs. Don't think I've ever heard a >one that was compressed. OK, "Compression is used on practically everything TO SOME EXTENT IN POP MUSIC." Happy? It's probably used on your Telarc CDs, but in a subtle way. Believe me, I've miked live instruments and without compression of SOME form, you are at the mercy of tiny little movements. The player swings his/her instrument two inches to the left or right and WHAM! Instant glazed donut time. There's a difference between "totally eliminating dynamic range" and "adding compensation for subtle (and not so subtle) shifts in input level." -- Jon Drukman (jam the track) uunet!sco!jondr jondr@sco.com ------------------------------------------------------------------------------- Always note the sequencer - this will never let us down.