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From: brownfld@ux1.cso.uiuc.edu (Kenneth R Brownfield)
Date: Thu, 27 Jun 1991 02:09:53 -0800
Subject: Re: SNR on Sensual World vs Hounds of Love
To: <love-hounds@HAYES.IMS.ALASKA.EDU>
Distribution: rec
Newsgroups: rec.music.gaffa
Organization: Computing Services Office, University of Illinois.
Phone: Office: (217) 244-6264
References: <1991Jun24.083232.13287@uniwa.uwa.oz> <1991Jun26.001529.19797@ux1.cso.uiuc.edu> <17983@scorn.sco.COM>
jondr@sco.COM (Jon Drukman) writes: >I briefly entertained the notion that the problem was in the mastering >stage, but that doesn't account for the incredibly obvious "tearing" and >hiss that accompany the entrace of practically every vocal part on the >album. >Do you have the US or UK disc? US. I was listening for hiss and EQ, not anything more specific (or incomprehensible to this mixing/etc. amateur.) >> Whoever recorded or mixed Rocket's Tail and turned the drums into mush >>should be shot. It almost sounds compressed. >This is a fairly meaningless comment. Compression is used on practically >everything to some degree. Without it, you get that great amateurish >recorded in a basement feel as all the levels go zooming around. What I meant was severely compressed. A local top-40 station compresses the _Hell_ out of their stuff, and it sounds disgusting and blah. Drums on the station sound similar to Rocket's Tail, although not as bad. I didn't take into account that you couldn't read my mind. :-) Reworded: The drums have about as much whack as the vocals. Closer? I agree with you on the rest; good points. >If the songs were better, she could record them on a 4-track and I'd be >happy... A Radio Shack mono cassette recorder... >Jon Drukman (space children intro mix) uunet!sco!jondr jondr@sco.com >Always note the sequencer - this will never let us down. -- Ken. Kenneth R. Brownfield brownfld@uiuc.edu Computing Services Office uunet!uiucuxc!uiuc.edu!brownfld University of Illinois, Urbana-Champaign. (finger for more info.)