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From: decwrl!well.sf.ca.us!well!padraigm@uunet.UU.NET (Patrick McFarland)
Date: Tue, 11 Jun 1991 21:58:35 -0800
Subject: Re: KaTe imitators
To: rec-music-gaffa@apple.com
Expires: Never expires
Keywords: KaTe, happy, jane, siberry, critique
Newsgroups: rec.music.gaffa
Organization: Whole Earth 'Lectronic Link, Sausalito, CA
References: <15373@ccncsu.ColoState.EDU>
Summary: No summary
Doug, I really agree with just about everything you've had to say. First, as to the JaNe Siberry's wannabeism, although I love certain of her songs, On the Beach, in particular, and I feel that no amount of criticism can take away the originality of these pieces, I can see how JaNe's material could be taken for imitation, and I think THAT is just the fear that results from hearing ANY woman express her TRUE views.. Secondly, as re Happy Rhoades, I love her music, and I think I can explain this misunderstanding: KaTe grew up in an evironment where one was forced into self-reliance. It is a happy accident of karma that this divine spirit was practically ordained to become a musical virtuosity of the highest order. Happy had no such fortunate soil. As anyone in the U.S. can attest, the artistic climate (as the political climate) caters to conformism, and I admire the (superhuman, actually) effort she has had to exert to accurately express her own Art. If it relies on KaTe's rather heavily, well so be it - I myself rely on a goddess. Pat -- "A thousand slimy things lived on, and so did I"-STC "When the going gets weird, the weird turn pro"-HST "You're either part of the solution or you're part of the precipitate-Wilbur "If it's worth doing, it's worth overdoing"-Me