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From: Richard Caley <rjc@cstr.ed.ac.uk>
Date: 27 Mar 91 12:27:10 GMT
Subject: Re: Lionheart
In-Reply-To: katsouro@WAM.UMD.EDU's message of 25 Mar 91 14:55:03 GMT
Newsgroups: rec.music.gaffa
Organization: Centre for Speech Technology Research
References: <9103211645.AA05527@sqa.dsg.ti.com><1991Mar25.145503.22374@wam.umd.edu>
Sender: news@aipna.ed.ac.uk
In article <1991Mar25.145503.22374@wam.umd.edu>, Mark Steven Katsouros (msk) writes: rjc> I think if I had to pick one which I would lose fewest body parts rjc> before parting with it would have to be The Sensual World. But only rjc> because it, unlike the others, has a couple of weak songs (Walk rjc> Straight Down the Middle and Deeper Understanding). msk> What? These are two of my favorites! (Who am I kidding; all of msk> KaTe's songs are my favorites.) Seriously, you must at least be msk> able to appreciate DU given that you are using a computer to msk> access this wealth of Kate sTuff! And, geez, WSDTM is what gives msk> The Sensual World sensuality! I thinK a re-evaluaTion is in msk> order... Actually I really like the fade out on WSDTM, but the rest does nothing for me. I find the Sensuality in TSW in the title track and The Fog. As for DU, maybe it just reminds me of work too much (I work on speech synthesis). -- rjc@cstr.ed.ac.uk And through the wire we send our tailor made speeches.