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From: donley@milton.u.washington.edu (Erik D. Olson)
Date: 2 May 90 00:10:52 GMT
Subject: Re: Selling England
Newsgroups: rec.music.gaffa
Organization: University of Washington, Seattle
References: <9005012139.AA08492@m.cs.uiuc.edu>
Reply-To: donley@milton.u.washington.edu (Erik D. Olson)
In article <9005012139.AA08492@m.cs.uiuc.edu> Love-Hounds@gaffa.MIT.EDU writes: >Really-From: Michael Mendelson <mendel@cs.uiuc.edu> > >This is indirectly related to Kate (although the connection should >be obvious). On the Genesis album SEbtP, a friend of mine has >pointed out that the original sequence (LP), 1245/763 differs from >the CD sequence 1234567. Two questions and a conjecture: I can see some of the logic behind this... "3" = Firth of Fifth, a 9 minute progressive-type song "7" = Cinema Show/Aisle of Plenty, 12 minute progressive-type song "6" = After the Ordeal, a rather mellow 4 minute song that breaks up the space between two of the long songs. If your conjecture is right, namely that it equalizes the time on both sides, then the reversing of 6 and 7 makes sense as well. HOWEVER cut 7 is DEFINITELY the last cut on the album because it has a reprise of cut 1, so it seems weird why they'd put Firth of Fifth AFTER the big finale. Erik -- donley@milton.acs.washington.edu eo@max.acs.washington.edu "The answers to life's problems aren't at the bottom of a bottle, they're on TV!" - Homer Simpson