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From: MTARR@EAGLE.WESLEYAN.EDU
Date: 7 Mar 90 04:41:02 GMT
Subject: In Defense of "Wuthering Heights"
Newsgroups: rec.music.gaffa
Article-I.D.: EDDIE.9003070435.AA27796 Sender: daemon@eddie.mit.edu (Mr Background) Organization: Love-Hounds Anonymous Lines: 65 Approved: nessus@eddie.mit.edu Hi... I've tried to post this thing not one, not two, but FIVE TIMES. Please get rid of any extra headings on the top of this, and PLEASE let me know why I could post something to .gaffa five minutes ago, but not now, when I did the exact same thing!!! Thank you. Meredith Date: Tue, 6 Mar 90 16:16 EST From: PMDF Mail Server <Postmaster@EAGLE.WESLEYAN.EDU> Subject: Undeliverable mail To: MTARR@EAGLE.WESLEYAN.EDU The message could not be delivered to: Addressee: LOVEHOUNDS@GAFFA.MIT.EDU Reason: <LOVEHOUNDS@GAFFA.MIT.EDU>... User unknown: No such file or directory ---------------------------------------- Date: 6-MAR-1990 16:15:44.87 From: MTARR@EAGLE.WESLEYAN.EDU Subject: In Defense of Wuthering Heights To: LOVEHOUNDS@GAFFA.MIT.EDU Greetings... I hate to add more fuel to the fire of the Flame War, but I feel I must say something in defense of the later vocal version of "Wuthering Heights". The first song I ever heard by Kate Bush (once I knew to whom that incredible voice belonged) was "Wuthering Heights", from the recently-released _The Whole Story_, my junior year in high school. I thought I was going to die- never mind the awesome subject matter, but that VOICE!!! True, I'd never read the book, (but I have now) and I thought it was a great song. I ran out and bought TWS, and vowed to own every album on the discography within the year (I almost made it- I still haven't been able to snag a copy of _The Single File_, but I'm sure that's because I haven't tried hard enough). Anyway, I bought TKI to hear the original version of the song, and there was one major thing missing: when listening to the TKI version, I just sat there. I didn't find myself moving all over the room, silently singing along to myself and simply unable to sit still. I just didn't do it for me. I realize that the TKI version brilliantly portrays Cathy's waifiness and ghostliness and all that, and for that it is a wonderful song. The TWS version, however, is stronger in that Kate, eight years and four albums later, had had time to mature. That version brings out Kate's vocal strength where the original brought out Cathy's innocence: The TWS version portrays the strength of Cathy's love for Heathcliff, a love so strong it goes even beyond the grave. And the strength of that love, as Kate herself has said, is what inspired her to write the song in the first place. If you put the two versions in context, they make sense: innocent Cathy, innocent Kate, stronger Cathy (in love, anyway), stronger Kate. I think of them as two separate songs. I don't care about the pronunication of "Cathy" in the TWS version (which I think was intentional, by the way- give the woman some credit). And I also like the TWS version better because it was The Song That Got Me Into Kate; I can therefore understand why those people whose introduction to KT was the TKI version would like that better. It's a matter of sentiment, really. Meredith Tarr "Looking for a moment that'll never happen mtarr@eagle.wesleyan.edu Living in the gap between past and future" Wesleyan University -KT