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From: mailrus!gatech!mit-eddie!eddie.mit.edu!henrik@uunet.UU.NET (Larry DeLuca)
Date: Tue, 9 Jan 90 02:19:41 GMT
Subject: Re: Does Kate Bush read news?
Distribution: na
Newsgroups: rec.music.gaffa
Organization: MIT EE/CS Computer Facilities, Cambridge, MA
References: <21208@unix.cis.pitt.edu> <23043@ut-emx.UUCP>
Reply-To: mailrus!gatech!mit-eddie!eddie.MIT.EDU!henrik@uunet.UU.NET (Larry DeLuca)
I think the problem here is that Mr. Hui is arguing in what he believes to be objective, quantifiable terms, and the Gaffans are responding as though they were subjective. Let's say that we define "substantial" to mean: A piece of music written for a full (18-piece or larger) chamber ensemble that will consist of two or more separate movements that are thematically linked and display a definite progression and unity. Now, it is pretty clear that save _The Ninth Wave_ that Kate Bush has failed this definition in one way or another (we'll fudge the chamber ensemble definition - there's lots of stuff on _The Ninth Wave_). However, even that piece falls somewhat short of the symphonic unity one expects from classical or (Gads, I hate this term) 20th centry music. HOWEVER -- Art is not a multiple-choice test, and there are no right or wrong answers - just some that work better than others. In a purely qualitative light, I find Kate Bush's music more MOVING than a great many other peoples'. "Under the Ivy" is extremely simple in form - very short and bittersweet, almost a musical haiku by comparison. But it has an eloquence and piquancy about it that makes it shine above even most of Kate Bush's other compositions, simple or not, at least for me. Who cares if other people write more complex music (and they do)? I want to be MOVED, not read a fucking *SCHEMATIC*! larry...