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From: bloch%mandrill@ucsd.edu (Steve Bloch)
Date: 16 Jul 89 17:39:00 GMT
Subject: Re: Heroine death at end of TNW
Newsgroups: rec.music.gaffa
Organization: University of California, San Diego
References: <8907150052.AA12526@gaffa.wpd.sgi.com>
Reply-To: bloch%mandrill.UUCP@ucsd.edu (Steve Bloch)
Sender: nobody%sdcsvax@ucsd.edu
Well, everyone's favorite subject again rears its ugly head. And this time I'll bite. While rather offended by IED's choice of words ("there are no two ways about it", "this is not a subject for debate", "this is an ignorant reaction", "did _no-one_ learn anything..."), I'm inclined to agree with his substantive view. To which end I hereby post some substantive replies to Kevin Gurney, who writes: >1. Is she physically "falling like a stone"? Couldn't have been a very >successful rescue if she is. How about emotionally "falling like a stone"? >Doesn't really fit with the rest of the song, does it? What if she's >"falling" through this world into another? That makes sense to me. What if she's in a nearly zero-g, or "free-fall", environment, such as (for example) floating in water, especially salt water? And a whole night in the water, if one didn't freeze to death, would leave one's sensory nerves about as responsive as a stone. >2. Why does she sing "I'd (I _would_) love to hold you now."? Why not simply >"I'll hold you now."? Unless she can't BECAUSE SHE'S DEAD! Someone else handled this one pretty well. >3. The couplet "Being born again/Into the sweet morning fog" just sounds >too much like she's passed on to the next world. I can't think of any other >_plausible_ interpretation. The ocean has been used as a metaphor for rebirth _within_this_life_ for thousands of years. Nearly every ancient culture that dealt with the sea had a "Jonah" story, as Joseph Campbell points out, emphasizing that these legends indicate someone going through a traumatic experience and coming out as a different person, with a feeling of newness that could well be interpreted as "being born again", especially if one's sensory inputs were screwed up. I've experienced something less intense, but similar, working all-nighters in the terminal room and emerging from that dark hole into the 6AM light and fog, which tends to make everything look new and half-formed. "Once again your words have pulled the universe out of place/ To exist it need not have a human face." -- Jane Siberry bloch%cs@ucsd.edu