Gaffaweb >
Love & Anger >
1989-04 >
[ Date Index |
Thread Index ]
[Date Prev] [Date Next] [Thread Prev] [Thread Next]
From: metlay <mpmst1@unix.cis.pittsburgh.edu>
Date: Sun, 9 Apr 89 15:15:47 -0400
Subject: Re: King Crimson
News-Path: pitt!cadre!pt.cs.cmu.edu!rochester!rutgers!tut.cis.ohio-state.edu!bloom-beacon!GAFFA.MIT.EDU!Love-Hounds-request
King Crimson were responsible for launching art rock, heavy metal, progressive rock, and at least one or two other fields. They date back to 1970 or so, and at one time or another included Robert Fripp (who rose to fame through Crimso), Greg Lake, Pete Sinfield, Mike Giles, John Wetton, Bill Bruford, Jamie Muir, David Cross, and others. They existed in three stages: the first Crimso had a gooey symphonic sound, with operatic vocals (Greg Lake and Jon Anderson) and lots of Mellotron. Albums included "In the Court of the Crimson King", "In the Wake of Poseidon," "Lizard," and "Earthbound." The second half of Crimso's early years was rawer and meaner, some of the best rock performances ever: "Larks' Tongues in Aspic", "Starless and Bible Black," "Islands", "Red" and "USA". (Many crimsoids consider "Red" to be the ultimate statement of Crimso: only three musicians, raw and extremely difficult music.) Fripp broke the band up in 1974 or 1975, and reformed it with Belew, Bruford, and Tony Levin in 1981 with "Discipline", "Beat", and "Three of a Perfect Pair." The band then self- destructed again. "Beat" and "Three" have some OK stuff on them, but neither is anywhere near as consistently phenomenal as "Discipline." If you wish to own only one definitive album from each phase, get "In the Court of the Crimson King", "Red", and "Discipline". (and by the way, expect a lot of flamage from people who won't believe anyone with an IQ over 65 hasn't heard of them.) Hope this helps.