Robin Smith's interview, August 14, 1982

[IED0DXM%OAC.UCLA.EDU@MITVMA.MIT.EDU]

 To: Love-Hounds
 From: Andrew Marvick (IED)
 Subject: Robin Smith's interview, August 14, 1982

                         _A_Dijeridu_Special_

                    Getting down under with Kate Bush
                  Our man by the billabong: Robin Smith

     Kate Bush, you have beautiful toes. Bright and
pink, they're so nice when you curl them up. The sort of
toes I want to put...
     "Would you like to hear my impression of an emu?"
says Kate. "They go 'mmm mmm', like that.
Actually, I never knew they made a nose at all.
Percy Edwards taught me."
     No. You're not dreaming or going mad. Percy Edwards
impersonates birds and animals for a living, and he's
featured mimicking sheep and birds on Kate's wacky new single,
_The_Dreaming_. It's all about the plight of Australian
aborigines and Kate wanted some outback noises.
     It might have been cheaper to book some real animals
of course, but they crap all over the place, and Percy usually
behaves himself.
     "The wonderful thing about Percy is that he can
look like the animal he's trying to impersonate,"
giggles Kate. "You should see him when he does a gorilla.
     "He's been impersonating animals for years,
and he told me that when he started there were no records
with animal sounds, so he went to the zoo. I've always
wanted to meet him--he's such a fascinating man."
     Rolf Harris is another of Kate's heroes, and
_The_Dreaming_ was partly inspired by his old single, _Sun_Arise_,
which Kate's brother had when she was a kid. Rolf's
also featured on the single, and Kate's been anxious to
do something tribla for a long time.
     "Dear Rolfie knows such a lot about traditional
and ethnic music," says Kate. "He's a comedian,
but there's a more serious side to him."
     Rolf supplied a dijeridu--a long, hollow, tubular instrument
you breathe down, to produce a low, continuous droning noise.
     "It's very difficult to play. You have to use
a circular breathing technique, " says Kate. "Snake
charmers use them as well, and if the notes stop they
run a risk of getting bitten."
     As we were saying, Kate wrote _The_Dreaming_ after
being upset by what has happened to the aborigines.
For years they've been moved off their tribal lands,
and even attacked, because of the white man's quest
for precious metals--especially plutonium.
     "I think there's about two thousand aborigines
left," says Kate. "Unfortunately their lands are
where you find plutonium, a very rare metal which is used in
bombs.
     "They're a beautiful people, and some people
would try to produce a holocaust out of such beauty. One day
I want to go and see the outback for myself. I'm sure
it's everything that I've dreamed about."
     Kate's single and forthcoming album of the same name
(out in September) are the craziest things she's ever
done--perhaps she's trying to rest the _Wuthering_Heights_
connection forever. On the brief preview I was given, her
voice has grown deeper and she has a whole new range of depth and
values. _The_Dreaming_ is also the first album she's produced herself.
     "I couldn't go on forever as the little girl
with the
with the '_hee-hee_' squeaky voice," says Kate.
     Even so, it must have been a gamble to release _The_
_Dreaming_, which isn't exactly instantaneous to many ears.
     "I think it needs two or three listenings,"
says Kate. "What I wanted to do throughout the album
was almost to bury things.
     "I wanted it to be a very human, emotional album. I
think we've come so far in making music sophisticated that
we're almost in danger of losing the roots. That's why
I think there's been a return to tribal influences. After all,
that's where rock-'n'-roll came from in the first place.
It's a very ethnic album, as well, in many respects."
     The most instantaneous track on the album is _Night_of_the_Swallow_,
a haunting little number with a bit of Irish folkiness. You'll
also find such fascinating titles as _Suspended_in_Gaffa_ and _Pull_
_Out_the_Pin_--which is downright frightening.
     "I saw a programme with a camera man on the front line
in Vietnam," says Kate. "The Vietnamese were portrayed
as being very craftful people who treated their fighting
as an art. They could literally smell the Americans coming through
the jungle. Their culture of Coke cans and ice creams actually
made them smell.
     "Anyway, I learnt that before the Vietnamese went into
action they popped a little silver Buddha in their mouths. I
thought that was quite beautiful.
     "Grotesque beauty attracts me. Negative images are
often so interesting."
     Kate says she spent days writing and re-writing lyrics for
the album, which took a year's work.
     Kate's contemplating touring again. She's thinking
about some ideas, but so far it's gone no further than that.
     "Planning the last tour took five months," says Kate.
"Obviously I wanted to give more than just me and a piano."
     Kate financed the tour out of her own money and she lost
thousands.
     "With forty people to look after, it was astronomical--but
it was worth it. Well yes, I"ve made money, but a lot of that
money goes into projecting my art.
     "I don't see myself as being a publicist for myself
but a publicist for my music."
     Despite constant prying down the years and gaudy newspaper
spreads, Kate is one of the few people who has managed to keep her
private life extremely private. There"s still a great air
of mystery about her. Almost as if she puts up an invisible barrier.
     "Some people have said that before," she says.
"The main thing is that I don"t think enough about what I
have to say. I don"t say a lot, and then when I do, I don"t
want to be misrepresented.
     "There's been such a lot written about me by people
who say they know me, but who I've never met. I find that
a great intrusion, a kind of violation."
     To set the record straight, Kate's working on her own
book. She"s been scribbling away for two years.
     "I'd like to write more, but time is always against
me," she says. "Sometimes I wish the world would stop."
     Kate wanted to do a kids' television show last year,
but she couldn't fit it into her schedule <Not her own show.
Kate considered and rejected a guest spot on a series already in
place.>, and she's also been approached with various film
scripts.
     "They were always about the rise of a music personality,"
she says. "You know the sort of thing. It's been done
time and time before, so it would be a bit boring if I did it.
I like films like _Time_Bandits_: that was fantastic! <A Terry
Gilliam film.>
     "Funny, but I've only ever seen ten minutes of _Wuthering_
Heights_--it looked a bit corny to me." <This is probably a
reference to the famous version with Lawrence Olivier and Merle
Oberon. Kate was, she has said on other occasions, genuinely
moved by the ending of the Timothy Dalton film, which was made
for BBC TV.>
     We're running out of time. Kate has done fifteen
interviews with the foreign press already today, and it's
nearly time for her to go home. Tell me, Kate, what sort
of a person are you? Do you shout and scream when things go
wrong?
     "No. I don't shout. I can't see the point.
I think I can make hard decisions, though. Sometimes, though,
I feel vulnerable, like a little girl. I need people to protect
me."
     Are you aware of the devastating effect you have on ninety-nine
per cent of the male population?
     "Ooh, it's nice when people find me attractive,"
she says, green eyes sparkling like fireworks. "I'm
flattered by it, really."
     And with a wiggle of those naughty little toes, Kate's off.
I'd think you'd really need two days to get right to the
bottom of her personality, but this will certainly do for starters.