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From: nate@MIPOS3.INTEL.COM
Date: Fri, 5 Aug 88 07:54:14 pdt
Subject: Re: on the multitude of Her talents
Newsgroups: rec.music.gaffa
Organization: Intel Corporation, Santa Clara, CA
Posted-Date: Fri, 5 Aug 88 07:54:14 pdt
In article <8808020239.AA06708@WONKO.MIT.EDU> Jamie Andrews <jha%lfcs.edinburgh.ac.uk@NSS.CS.UCL.AC.UK> writes: > on Her voice: > I think the great thing about Kate's voice is not necessarily > her range, although that's technically impressive. It's the way she > uses it: her sense of how to phrase, what to do with a note, which > way and how long to "smear" the first or last note of a phrase. > Take "The Man with the Child in his Eyes", for example. Pat Benatar > (ecch) or even Suzanne Vega could not get the emotional content out > of that song that Kate does. I disagree. You're oversimplifying too much, I think. Comparing Kate's singing style with Suzanne's in this manner is like comparing Faulkner's writing style, say, with Hemingway's. They each use different means to acheive the artistic effect they desire. --woodstock -- "How did you get your mind to tilt like your hat?" ...!{decwrl|hplabs!oliveb|pur-ee|qantel|amd}!intelca!mipos3!nate <domainish> : nate@mipos3.intel.com ATT : (408) 765-4309