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From: torkel@sics.sics.se (Torkel Franzen)
Date: 22 May 88 14:29:29 GMT
Subject: Gaffa lyrics
Distribution: World
Newsgroups: rec.music.gaffa
Organization: Swedish Institute of Computer Science, Kista
Reply-To: torkel@sics.sics.se (Torkel Franzen)
NB: I myself do not know gaffa from hoffa: the following is posted by a friend, and any comments you may have will be forwarded to him. I have for about a year been listening on and off to your favorite. When I first read various dispatches from various lovehounds I was really surprised by the claims that were made for Kate's excellence. However, I went back to my KEF loudspeakers and played HoL repeatedly. Gradually I realized that this was much more complex and fascinating music than I had been willing to believe. So I bought some other albums as well and found Dreaming to be perhaps even better than HoL. Now the problem is that I cannot find the lyrics to be anywhere close to the level of the music. I find the words of the songs to be up in the air with almost no contact with ordinary human life. Take for example "night of the swallow" where the singing and the music is unbelievably good and then the lyrics is a totally uninteresting "story" of someone who is about to fly some people from here to there. Disappointing. Or take "suspended in gaffa" which you have been discussing here at some length. It is symptomatic of KT lyrics that the most interesting aspect of the words of that song is whether a line refers to an 8-track studio, and if in that case heaven would be a 48-track studio. Can you give me some advice as to how to read the lyrics? For of course they must be as good as the music, must they not? A final suggestion. The lines "That girl in the mirror..." OBVIOUSLY refer to Kate herself and more specifically to an image of herself in that year long ago when "they took the game right out of it". She looks in the mirror and what does she see? "My eyes are full, But my face is empty." Not that the lyrics are made any better by this. Anders Goransson [ Well, I think, Anders, that you are missing something in the lyrics. Kate's lyrics are also often dense and layered, like her music. "Night of the Swallow", which you brush off as being "totally uninteresting" is actually a powerful and moving story about a man's desire for excitement and his wife or girlfriend's desire for him to be safe and alive. (The genders may be reversed.) Her love for him is pulling them apart, as is his irresponsibility. It's a universal problem with relationships -- one that we can all relate to, and beautifully told here. "Wings fill the window, and they beat and bleed." Regarding "Suspended in Gaffa", whether or not a line refers to an 8-track studio is hardly the most interesting thing about the song! It's just a nit that one thinks about after one has poured over the lyrics for the last eight years. That there are still things to find after all this time *is* symptomatic of Kate's lyrics. -- |>oug ]