Gaffaweb >
Love & Anger >
1986-08 >
[ Date Index |
Thread Index ]
[Date Prev] [Date Next] [Thread Prev] [Thread Next]
From: IED0DXM%UCLAMVS.BITNET@WISCVM.WISC.EDU
Date: Mon, 12 May 86 11:34 PDT
Subject: Early KT and Oregon
I was going to try to set J. Rossi straight about early KT but Doug already did an excellent job, and, besides, Mr. Rossi is already recanting. But I, too, want to stress that this was long, long ago. The Kick Inside was universally regarded as a major stylistic departure from anything else on the market in 1978. I remember hearing "Wuthering Heights" on the radio in April of that year and thinking that *no-one* sounded like that; but it wasn't just the voice, there was that bizarre phrasing -- the lyrics were twisted into strange phonetic jumbles, and the time signature had a way of changing every few bars. (In the final measures before the fade-out, if you follow the drummer's back-beat, you can hear him lose track himself, and skip a few beats rather than make a mistake). This was a very young girl, still without control over the production; it's easy to hear the weaknesses in the early music now, when we have The Dreaming and Hounds of Love to compare it to, but The Kick Inside was definitely a break-through album in its day. Lionheart always gets abused nowadays, mainly because it's so smooth and safe. That was audible even when it first came out, but remember that Kate had to put that LP out in November of 1978, only five or six months after The Kick Inside. Only a few of the songs on that album were newly written, and she still had little control over the arrangements or sound. Even so, Lionheart has a sonic intimacy and eccentricity that sets it far apart from other pop music of its time. And there are many first class Kate Bush musical ideas in it, as well. The tour, too, was unanimously accepted as completely unique, mainly because of the use of choreography and theatrical methods in performance. And once again, that was *seven* years ago. About Oregon/Organon, I completely agree with Doug. The Orgonon reference is undeniable, just read Peter Reich's books, or anything by the Orgonon Press. The only point I would dispute concerns the use of Oregon in The Oregon Times. It is only barely possible, I argue, that Kate simply didn't know the difference between Oregon and Arizona, where the yo-yo scenes took place in the book (Reich was apprehended at Orgonon proper, in Maine). I think it's more likely that she heard the name Oregon and decided its similarity to the name Orgonon was worth exploiting.