Gaffaweb >
Love & Anger >
1986-06 >
[ Date Index |
Thread Index ]
[Date Prev] [Date Next] [Thread Prev] [Thread Next]
From: James B Hofmann <hofmann@AMSAA.ARPA>
Date: Tue, 8 Apr 86 12:40:29 EST
Subject: Mersh Music (God, Abba and Me)
flame start Well - I really don't see why I should appreciate commercial music just because my life has been programmed by it from day one. I mean don't you think that you should CONDEMN it instead? I think the idea of someone profiting monetarily of his art is a co-opt of art, in effect a RAPE of art. If I were an artist, I would take more pleasure in getting each person who bought my recording to sign an agreement that they would promise to listen to it. Now before Doug has to search for rationalizations or refutations to support Kate's spurious relationship with EMI - let me say that I think that most of what money Kate gets (and it ain't even half of what EMI is making I suspect) probably goes right back into her art (i.e. her studio, new instruments, etc) ... flame end Fu, I read this article in Sound Choice this month about creating your own industrial/tape loop recordings. It's easy - doesn't take a significant amount of equipment (if you have two tape recorders and a walkmen you're in business) and you can PROGRAM your OWN background music - (not saying that you don't do that now with other artist's tapes, etc) so what you could do is take 10 seconds (via one of those answering machine tapes) of ABBA (three bars is legal in case you want to patent your creation) and create a tape loop with it (the basic way is to record the 10 seconds - put that on another tape and then set it up so the two tapes are "off" in rhythm and record that on the third tape player while you are playing with modulation, pan controls and volume) and in effect (as the article was entitled) you can "clone the drone" They also mentioned that Steve Reich was doing this stuff 10 or 20 years ago. You also say that "music is not the only art" but it is the one closest to human expression. I mean look at all the people who strum or fool with synth's as opposed to the number of people who paint or sculpt. What I'm trying to say is that a society can be judged in how they relate to music. I'd say that the commercial industry is in effect a condemnation of our society. I think the only way to break the commercial industry is to produce as much independent music as possible - in effect: flood the market this is most easily done with cassette tapes ... gee, no wonder the record industry would like a dollar tax on cassettes, huh? so like I said, be subversive - buy a cassette and record something with it. ---- hofmann (on his own account)