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From: J Eric Roskos <think!harvard!topaz!peora!jer>
Date: 10 Jan 86 09:21:08 EST (Fri)
Subject: Re: KB interview
> I've written a little bit of (bad) poetry. What's really strange is > that often I just write what I think is nonsense. A bunch of phrases > that pop into my mind, with images and vague symbols -- but nothing > coherent. Then I might find the poem in a pile of junk a while later, > and when I read it, I know exactly what it means. So, did I put that > meaning there unconsciously when I wrote the poem? Or did I just read > that meaning into the poem later? It's hard to know. I say this partly because it's hard for me to know exactly what *I* was thinking when I wrote something, especially with regards to meter. Actually this makes me wonder sometimes about the mechanisms of writing the poetry; it requires a particular frame of mind, which is difficult to attain. Thus I tend to suspect that it *does* involve a sort of subconscious thinking, or at least a thinking in parallel. For example, in this part of a poem I wrote recently: > No. Not only is time stretched into > This hour as empty as before, > But I must measure it too? I had two distinct meanings definitely in mind for the word "measure". Yet, thinking about it later, it occurred to me that the opening line of the poem, "Another hour outside of time" was also involved in these lines, since an hour outside of time (besides being paradoxical in itself, unless "time" means "history", which in a sense it did) would not be measurable. I am not sure if I intended this or not. However, I've been thinking a lot about the interview and why she said some of the things she said there; when I have time (i.e., when I'm not at work) I will try to remember to write more about that... -- jer