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From: "Bullard, Claude L (Len)" <clbullar@ingr.com>
Date: Tue, 30 Sep 1997 10:02:13 -0500
Subject: Under the Ivy - Vasakjja
To: love-hounds@gryphon.com
Approved: wisner@gryphon.com
I've read some of the debates on the meanings of Kate's Under the Ivy. Here's one to add to the list of potential interpretations. I've no evidence, but am struck by the similarity. In one Indian (Bharatta, not Amerindian) philosophy, there are eight types of archetypal heroines (ashtanayikas). The resource I am reading states that these are archetypes of eight states of love. These archetypes are described in terms of the love-situation (avastha). The avastha typically use well-understood metaphors and scene-setting descriptions (birds singing, gold of evening sky, forest glade, stream in virgin jungle, verdant meadows, etc). One of these ashtanayikas is vasaksajja in which the nayika (heroine) is described waiting longingly for her lover/hero (nayak) in a lush bower of flowering plants and creepers. Many paintings and sculptures depict the vasaksajja as the jivatma (individual soul) yearning to unite with the paramatma (absolute soul - maybe the matmos of Barbarella). The beautiful thing about this philosophy is that while it discerns among types of passions and love, it essentially binds the sacred and profane and reveals sexual love as a form of worship or devotion. That is, sringara (love) and bhakti (religious devotion) share many connotations and associations. In the resource it says that such love is the leitmotif of Indian creativity. len