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From: "DJH" <donna@math.uconn.edu>
Date: Mon, 22 Sep 1997 12:54:36 +0000
Subject: Re: Toei (wasRe: Jewel Bush?)
To: love-hounds@gryphon.com
Comments: Authenticated sender is <donna@tatung.math.uconn.edu>
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Reply-To: donna@math.uconn.edu
{snip alot of stuff insisting that Tori isn't a KaTe knock off} Ok, I am reposting a post I put on via Rolf, back in the days when I couldn't post to RMG. d~ ------- Forwarded Message Follows ------- From: Self <Single-user mode> To: Love Hounds Subject: Documented Evidence of Tori/Kate marketing Date: Fri, 16 May 1997 13:58:59 Ok, this is my first post (working on the assumption that my previous attempts have been lost for all time_.) I know it is HUGE, but_. In the eternal Kate / Tori debate I have documented evidence that the Label put forth promotional material dripping with Kate Komparisons_. I was working for a Prerecorded Music Distributor when Tori was being promoted. I got this item right before Little Earthquakes was released. I saw the BOLD KATE BUSH comparisons and demanded a promo from our buyer. So, I can testify that the marketing worked. I also remember flyers being passed around at the first show she did in Minneapolis, they asked that we all call the local radio stations (Call letters, phone numbers were listed on the flyer) and request Tori.. The single's titles were even listed. I liked the album, but was turned off by the intense marketing. After her second show in Minneapolis and then the 2nd album, I lost interst_ In talking with others at the second show I found a large percentage who viewed Tori as a Kate stand in, since she wouldn't tour_.. All of the following articles were distributed in a psuedo magizine by the label shortly before Little Earthquakes was released in US. All Page numbers refer to the page of the special issue "magazine". I have included the title of the original article and the publication / date it appeared as noted in the "magazine". Cover Page - Special Issue Entertainment weekly Faces to watch Tori Amos Page 2 - Beginning of article "Can we Talk" Q Magazine Feb 92. Runs to _.. Page 3 "Both American and English Names have already been bandied: Kate Bush, Patti Smith, Joni Mitchell, Laura Nyro." Side Bar (Page 4) BOLD and LARGE TYPE from billboard, January 11, 1992 "AMOS ARRIVES _If Elton John's Madman Across the Water were a woman, she'd likely sound like (bold) Tori Amos, whose debut album, "Little Earthquakes," is set for release from Atlantic Records. Amos arrives from North Carolina via Britain, where her songs of emotional turmoil and stormy piano playing earned her reams of critical notice (as well as the inevitable comparisons to (bold) Kate Bush)_" Page 5 - "Ginger Nut" from New Musical Express 11 January 1992 "..Without the 'crazy' angle, Tori, despite being interesting, personable and talented, would have merited perhaps a lazy Kate Bush comparison_" Page 6 - "Vote Tori" Time out Jan 22-29, 1992 "Yes, Tori Amos sounds from time to time like the expulsive kick inside Kate Bush (Bush, of course, has never been interested in confession); and no, Amos lacks the delirious all-round originality of Mary Margaret O'Hara." Page 7 - Full page photo - No direct Kate references. Ditto Page 8 Page 9 - Beginning of article "Songs from the Soul" Keyboard Review, Feb 1992 - that runs to _ Page 10 -Middle column of three, Bold Large type fills half the page "I've been hearing comparisons with Kate Bush for over 10 years - before I'd heard her work. But people don't say I sound like many guys and I've been influenced by more men than women." In body of article, same page "By now you'll have gathered that Tori Amos is her won woman with a distinctive style. However, writers and critics still want to pigeonhole her, likening her to Kate Bush (particularly the vocal style), Laura Nyro and Joni Mitchell. But she's not intimidated or angry. "I have great respect for the people I'm compared with, and I find it really fun. I love what Kate Bush does but we're very different people. I've been hearing_(see above) ..As a woman you do get compared to other women and I fell that's not the whole picture because I'm sure that a lot of women and men are inspired by the opposite sex." Page 11 - "Victim in search of her true voice" The Guardian November 1991 "The burned out whiz-kid is currently in London, being hailed as the next Kate Bush or Patti Smith." Page 12 - Article from International Musician (very small, focus on technical aspect of her recording. No KT reference) Page 13 - "Breaking the Silence" What's on Birmingham (no date) First Sentence "She's been spoken of in the same breath as Joni Mitchell but a more accurate comparison for Tori Amos, the copper-haired 28 year old daughter of a North Carolina Methodist minister and potentially most exciting female singer-songwriter of the '90's, would be a cross between Janis Ian and Kate Bush. Not only does Amos Play piano, but the voice and lyrical concerns conjures up parallels to both Bush's Hounds of Love and Ian's Between the Lines. " Page 14 - "Strange in a strange land" The Daily Telegraph - Weekend December 1991 "Amos's dexterous piano melodies track her sudden shifts of mood, while her voice can swap registers like Kate Bush or shift between vulnerability and aggression like Sinead O'Connor" Page 15 - No KT reference in this article that is pretty much one long Tori quote outlining her biography. Page 16 - Full page photo Page 17 - "Is Tori the next star?" Manchester Evening News - December 1991 First sentence "Talking with Tori Amos is an overwhelming experience. I was in the presence of the next big start someone in the mould of Kate Bush, or Joni Mitchell." Last Paragraph "Her songs often have weird chord sequences, part reason why perhaps some bring the name of Kate Bush into play, but when Tori's song Winter reminds of Kate's The Fog, and her vocal mannerisms have something of the British artist's strangeness, but wow, she can sing, she can communicate." Same Page (17) "Heart to heart" - What's On - October 1991 First Sentence "So this singer-songwriter girl Tori Amos, who tends to be described as 'a more deranged version of Kate Bush' or whatever, is chatting away." Page 18 - "Disturbing" Q Magazine February 1992 "The list of Post Suzanne Vega female songwriters who never got off the starting blocks continues to grow. _. Only Vega herself and the increasingly reclusive Kate Bush appear capable of sorting themselves out. The omens do not look good for Tori Amos. Additionally, she has a patently preposterous name, a Kate Bush fixation, _." Page 19 - "Vote Tori" - Melody Maker January 4, 1991 "The most obvious reference points here are Kate Bush and Joni Mitchell. The restive spirit of Bush seems to ram fancifully though 'Girl' and "Precious Things"__ "For the record, it must be said that this song {Leather} features the steamiest post-coital vocal since Bush moaned her way through "Cloudbursting"{idiots!}." {Items in {} added by DJH} Page 20 - short album reviews, no KT reference Page 21 - "Tori Triggers an emotional earthquake" Today January 11 , 1992 "Musically there are many reference points - Joni Mitchell, Kate Bush, Patti Smith" Page 22 - 7 clippings "If this cross between the ethereal soul strokings of Kate Bush, Sarah McLaclan and even Julia Fordham_." The Star - January 8, 1992 "Clocking in somewhere between Kate Bush and Patti Smith.." For Him Magazine Feb 1992 "Actually, comparisons with this pair,, or more pertinently, the likes of Mary Margaret O'Hara or Kate Bush aren't really valid" Melody Maker - October 1991 "Little Earthquakes: Tori Amos She sounds like a bad beach near Benidorm, but is set to be the Kate Bush of the Nineties. The debut album is full of quirky songs and not recommended for those of a nervous disposition." Album review Daily Mirror Jan 17 1992 (Complete review) "Forget comparisons with Edie Brickell, Kate Bush_ Tori Amos resolutely refuses to be pigeonholed with any of them." The Independent Jan 1992 Page 23 - 6 clippings "You keep willing yourself not to think okf Kate Bush (too obvious, too lazy a comparison) but it's hard to get away from the notion, and a song like Winter has a lot in common with Kate's The fog in that it deals with childhood trust and growin up and stuff." NME - September 14, 1991 "As if one heavy singer-songwriter album wasn't enough for one week, diminutive songstress Tori Amos's debut album seethes with torrid emotions, repressions and a combination of eroticism and fragility that's reminiscent of Kate Bush." The Independent January 9, 1992 Back Cover - 6 clippings "..Amos, 28, last year took refuge in Britain, where critics regularly compare her to Laura Nyro, Kate Bush and even Patti Smith." Entertainment Weekly January 31, 1992 "Imagine Mary Margaret O'Hara without the confused babble, Kate Bush without the winsome whimsy -" Melody Maker January 1992 "Her introspective, piano-based compositions will make comparisons to Kate Bush inevitable.." New Music Express September 1991 "Sounding a bit like Kate Bush on speed_" New Woman February 1992 "People will compare her with Kate Bush and with Stevie Nicks, but the combination at least is unique." Evening Standard, January 1992 @+@+@+@+@+@+ for what it's worth.... DJH