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From: Chris Smith at Indiana University <smithcj@indiana.edu>
Date: Tue, 30 Jul 1996 10:32:46 -0500 (EST)
Subject: re/ TSW
To: love-hounds@gryphon.com
cc: love-hounds-digest@gryphon.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
In-Reply-To: <199607301449.HAA26814@gryphon.com>
Sender: owner-love-hounds
Dunno. I still think that TSW is one of the most extraordinary song cycles I've ever heard; it is by far my favorite Kate album; I think the songwriting (with, granted, arguable exceptions) is superb; the production is incredibly evocative; the use of "non-Western" resources is sensitive and un-touristy. I find it thematically _extremely_ consistent: it is about transcendence. Of the body (Deeper Understanding), of the earth (Rocket's Tail), of "rational mind" (Love & Anger), of carbon-based life (Deeper Understanding), of death (This Woman's Work; dying to give birth), of two-dimensional "fictional life" (The Sensual World), of the media by which it is possible to achieve transcendence --dance (Heads We're Dancing, the video of Love and Anger), poetry (L&A), electronics (DU), gunpowder and "wild mind" (RT)--; it's about recognizing and respecting the great traditions which have targetted transcendence as a basic spiritual aspiration (the disc includes explicit and implicit references to the Tarot, Wicca, Catholicism, Sufi, and "women's ways of knowing"); it's about the Dark Side of transcendence --that its power can be twisted and scary DU)--. i think it's brilliant, and continue to think so. FWIW cjs Chris Smith - Lecturer in World Music, Indiana. "One World" WFIU 103.7 Altramar medieval music ensemble; Amandla (African jazz); The B.O.M.B. Ensemble (Baroque music). Martial Artist: Shaolin Kung Fu. http://www.indiana.edu/~smithcj. (p) 812/855-2664; (f) 812/855-0729 "THINK! (BOOM!) THINK! (BOOM!) It ain't illegal yet!" -- George Clinton