Gaffaweb >
Love & Anger >
1995-31 >
[ Date Index |
Thread Index ]
[Date Prev] [Date Next] [Thread Prev] [Thread Next]
From: "URMILLER@cc.memphis.edu"@msuvx2.memphis.edu
Date: Mon, 02 Oct 1995 03:34:39 -0500 (CDT)
Subject: Re: "Kate ever said anything about Tori?"
To: rec-music-gaffa@uunet.uu.net
Content-transfer-encoding: 7BIT
Content-type: TEXT/PLAIN; CHARSET=US-ASCII
Relay-Version: ANU News - V6.1B10 04/18/95 OpenVMS VAX; site msuvx2.memphis.edu Path: nntp.memphis.edu!nntp Newsgroups: rec.music.gaffa Subject: Re: "Kate ever said anything about Tori?" Message-ID: <1995Oct2.033438.60748@msuvx2.memphis.edu> From: Ross Marvin Miller <URMILLER@cc.memphis.edu> Date: 2 Oct 95 03:34:37 -0500 Organization: The University of Memphis Nntp-Posting-Host: wok-21.memphis.edu X-Mailer: Mozilla 1.1N (Windows; I; 16bit) MIME-Version: 1.0 Content-Transfer-Encoding: 7bit Content-Type: text/plain; charset=us-ascii Lines: 12 I don't believe Kate has ever acknowledged Tori's heavy influence, but here's my theory. If you listen to tori's first album, "Y can't Tori read", you find nothing but trite glammy trash. With "Little Earthquakes" you hear nothing but theft. I think Tori got a hold of some of Kate's early demos and based her entire direction on those. If you examine closely the structure of the changes in the piano parts, you see some direct plagerism. Listen to song's like "Keeping me Waiting"' and "Davy" and you find the very basis for Toris style entirely. I think Tori has taken the beautiful and original music of Kate Bush and created her brand of grotesque, negative, icon attack. She is a child and I hope she stays "Under the Pink".