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From: chrisw@fciad2.bsd.uchicago.edu (Chris Williams)
Date: Thu, 02 Mar 95 22:23:51 GMT
Subject: Re: Gaffa
To: love-hounds@uunet.uu.net
Organization: None to speak of
>chrisw@fciad2.bsd.uchicago.edu (Chris Williams) writes: > >> Agreed, people do use it this way, but Kate's recording studio >> is a tiny, low-ceiling thing, and has nothing suspended that I >> have been able to see. It would be relevant if Kate toured, and >> dealt with things being rigged over her head. But, sadly, she has not. >Ummmm, Chris, *The Dreaming*, and her previous albums were not >recorded in Kate's home studio, which at the time was only "half of a >heaven". I think you must know this. My mistake (or gaffe) on the recording of _The Dreaming_. She demoed and wrote the songs there, but finished them in a larger studio. But you are being purposefully obtuse in your insistence that "gaffer's tape" is any sort of vital tool of Kate's trade. Recording tape, splicing tape, masking tape; yes. Gaffer's tape? I don't think so. Certainly not to the point of invalidating the *much* more rational connection to "gaffe". If Kate was a constant stage performer, I might buy the "gaffer's tape" explanation. As it is, it sounds like something one of her friends said upon hearing the song. I can imagine someone saying "Gaffa? What's gaffa? Is that like gaffer's tape?" (possibly the same friends who kept commenting to Kate how "Spanish" _Sat In Your Lap_ sounded.) I can imagine Kate getting tickled at the misinterpretation, and using it on the next interviewer. Chris Williams of Chris'n'Vickie of Chicago chrisw@fciad2.bsd.uchicago.edu (his) vickie@njin.rutgers.edu (hers)