Gaffaweb >
Love & Anger >
1994-02 >
[ Date Index |
Thread Index ]
[Date Prev] [Date Next] [Thread Prev] [Thread Next]
From: WretchAwry <vickie@pilot.njin.net>
Date: Thu, 13 Jan 94 2:09:45 EST
Subject: Article in Philly Inquirer
To: ecto@ns1.rutgers.edu
Cc: kate.;@pilot.njin.net
Loves: Kate Bush..Happy Rhodes..Jane Siberry..Peter Gabriel..Tori Amos..
This was posted to the Tori list...
INFLUENCE OF KATE BUSH IS EVERYWHERE
Philadelphia Inquirer (PI) - SUNDAY January 9, 1994
By: Tom Moon, INQUIRER MUSIC CRITIC
Edition: FINAL Section: FEATURES ENTERTAINMENT Page: F01
Word Count: 455
"I definitely don't think of myself as being an influence," Kate Bush says
with a puzzled smile. "I suppose that's something to be flattered by, but I
don't know."
The singer's modesty notwithstanding, you can't help but notice that the
children of Kate Bush are everywhere. More than any female
vocalist/songwriter since Joni Mitchell, Bush has been studied and
dissected, her lines and vocal mannerisms carefully copied. She's become
the model for a whole flock of introspective, journal-keeping women who
strive for more than the everyday guitar-accompanied confessional.
Bush's neo-gothic sound and otherworldly imagery was, for years, one of the
few alternatives to "girl" pop, so it's inevitable that aspiring artists
such as Tori Amos (who acknowledges her debt) would crib from the Bush
catalogue.
But Amos - whose second album, Under the Pink, arrives in stores on Feb.
1. - has been a bit too zealous in her appropriations. The contemplative
piano settings of her enormously successful 1992 debut sound an awful lot
like those that made The Kick Inside, Bush's 1978 debut, so arresting.
Though Amos chose more earthy themes (and expressed them through
numbingly simple lyrics), she relied on Bush's signature orchestral sweeps
and unusual backing harmonies. Her scholarship was so exact, it sometimes
sounded as though she had copied the scores.
Under the Pink continues the borrowing. As she matures as a vocalist,
Amos has moved closer to Bush's tortured, writhing phrasing. Unfortunately,
her songs offer little justification for their drama: They're average
pop-rock that depend on histrionics to hold interest.
While Amos is the most overt, she's hardly the only singer to be
influenced by Bush's distinctive singing. Bjork, lead singer of Iceland's
the Sugarcubes, displays Bush's fiery independence and knack for
understatement on Debut, her first effort as a solo artist. Both Jane
Siberry and Eleanor McEvoy work to transform confessional narratives into
observations on the human condition, the way Bush's best lyrics do. And
though she's throatier, Mary Fahl of October Project strives for
exaggeratedly crisp diction and a theatrical sense of distance, qualities
that Bush, virtually alone among pop singers, cultivates.
Bush's compositions have an atmospheric, airy quality that have led some
to categorize her as new age. It's not an accurate tag, but Bush's ethereal
leanings - evident on The Kick Inside, The Dreaming (1982) and The Sensual
World (1989) - have inspired the reverb-happy Happy Rhodes, Clannad's Maire
Brennan and others to create meditative singer-songwriter music gentle
enough to be played in the dentist's office.
CAPTION:
PHOTO
PHOTO (4)
1. Jane Siberry also observes the human condition.
2. The up-and-coming Tori Amos acknowledges her debt.
3. Bjork of Iceland displays Bush's fiery independence.
4. Happy Rhodes is inspired by Bush's ethereal leanings.
Copyright Philadelphia Newspapers Inc. 1994
***********************************************************************
My own opinion is that this guy is a dickhead. If he thinks "The Dreaming"
is ethereal, then his other "opinions" are suspect, no matter how much
he likes Kate. I think he likes to pretend that he knows some "names"
and throws them around without knowing much of what he's talking about.
Tori has "numbingly simple" lyrics? Hardly. "Reverb-happy" Happy Rhodes?
Pfft! People like this compare with abandon, one of those folks who'd
bring up Kate when talking about *any* female singer unless they sounded
like Diamanda Galas, Loretta Lynn or Lydia Lunch.
Vickie
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
Vickie Mapes "Fight for your right "My ears are lucky to hear
vickie@pilot.njin.net to have a monster" TA these glorious songs" HR
_________
"Imagination sets in, then |_ _ | _ The Happy Rhodes mailing list
all the voices begin" KB |__|_ ||_| ecto-request@ns1.rutgers.edu
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-