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From: jorn@chinet.chi.il.us (Jorn Barger)
Date: Sun, 28 Mar 1993 22:02:42 -0600 (CST)
Subject: Magic 102
To: love-hounds@uunet.UU.NET
Content-Length: 2690
Content-Type: text
Jeffrey C. Burka writes: > I'm not attacking your theory, Jorn, but I want to point out that > you're missing one obvious possibility: that your inability to experience, > to *sense* those feelings from a CD is a shortcoming of your own and not > of the CD media. What, like an allergy to penicillin? I'm "CD-deaf"? > I'm curious about a couple of things. First off, why do you assume > that the "imprinting" such as it is is with the actual recording medium > and not with the music itself? 1) I experience it subjectively as localized in the tape, certainly not *referred spatially* to the recording studio. 2) CDs *feel* different, that way. Less personal. > Secondly, are you sure you've given CDs a fair shake? [...] My first CD player was 1987. My first non-Kate CD was some years later. ;^) > >I think what's wrong with CDs as a recording medium is that, being > >digital, they're unable to *absorb any imprint* from you > > What on earth does the fact of digital recording have to do with this? > You're almost implying that there's something natural, organic about analog > magnetic pulses recorded on a synthetic plastic film coated with particles > capable of retaining a specific magnetic field. Nope, I'm a junk-food vegetarian. ;^) It's not 'nature', it's physics we haven't thought thru yet! My argument is that the very virtues that make CDs 'perfect' make them cold. > You seem to try to argue that the recording on the medium is actually > changed by the vibes you put out while it's playing--you mention the > idea of "re-etching" and that the recording of the music is changed > (as opposed to the imprint being with the basic physical object). How > is my play-only walkman any more likely to re-record-with-emotional-imprint > on my tape than my discman? Well, my subjectline mentioned 'soft vs hard media'. The play-mechanisms on vinyl and tape are much more 2-way than on CDs. Environmental 'noise', whether roomnoise or room-electrical-fluctuations, are intimately involved in the degradation of those 'soft' media. I had intended to bring "Dreaming"s sig into the fray: [paraphrased] "in every electron striking your screen-phosphors... i am there" But there's a million other strange phenomena where human vibes transmit in ways you wouldn't expect, if you mis-take Asimov-level science for a fairly complete map of reality. Which religion is it that speaks of the "wakan" that objects absorb over time, if you treat them with reverence? Sufis I think call it "baraka". Feeling emotionally close to someone, or far away, is another aspect of this: I feel, I think, more of a wall listening to a CD than to a *tape* of that CD! jb