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From: scasterg@waltham.columbus.oh.us (Stuart Castergine)
Date: Tue, 01 Dec 92 16:47:24 -0500
Subject: Mix on the Sensual World
To: gaffa@cis.ohio-state.edu
> scasterg@waltham.columbus.oh.us (Stuart Castergine) writes: > >I finally got _The_Sensual_World_! I like the album (of course), > >but I do understand now what people have said about the quality > >of the engineering/mix. Having listened to it about a dozen times > >now, I think I'm ready to say, "It wasn't Del's fault." You see, > >I think the actual recording of the tracks was fine. The problem, > >to my ears is the mixing balance of the background tracks -- they > >sometimes overwhelm Kate's voice and are generally too obtrusive. > > it is typical of the novice to express an opinion on something that he or > she knows little about. as a certified recording engineer and beautiful > person (our record was noted as having "exceptionally clean sound on this > cutting edge release" in US Rave) i am obviously in a position of authority > to comment. take it from me, folks. i know the difference between bad > engineering, bad recording and bad mixing. the sensual world is badly > engineered and recorded. you can tell quite easily by listening to the > differences in hiss/distortion levels between the things del recorded at > chez kate and stuff like the orchestras recorded at abbey road. I may not be a recording expert, but I know what I hear. The distortion and hiss you notice didn't bother me, the loudness of the instrumental acompaniment did, which is a function of the mixing. I'm sure you are correct about the noise, but I still think it could have been mixed better. --- scasterg@waltham.columbus.oh.us -- Stuart M. Castergine --- I still dream of Orgonon. |/ |\