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From: news@TC.Cornell.EDU
Date: Mon, 23 Mar 1992 17:57:05 -0800
To: rec-music-gaffa@uunet.UU.NET
Newsgroups: rec.music.gaffa Path: theory.TC.Cornell.EDU!riley From: riley@theory.TC.Cornell.EDU (Daniel S. Riley) Subject: Re: Brazil Message-ID: <1992Mar24.015659.24983@tc.cornell.edu> Sender: news@tc.cornell.edu Nntp-Posting-Host: theory.tc.cornell.edu Organization: Cornell Theory Center References: <01GHZPNNGNDW99E63F@EAGLE.WESLEYAN.EDU> Date: Tue, 24 Mar 1992 01:56:59 GMT Meredith writes: >I've seen it 27 times now, and I'll never get enough... :) You'll see what >I mean, and you might just be as pissed off about the edited version as I >am. I really wonder what Gilliam thought of it... In January I saw a "director's cut" of Brazil at Berkeley. The story we were told there was that Brazil originally premiered at Berkeley, and, in his introductory remarks before the movie (with all the studio execs and stuff there), Terry said "I hope that someday you will get to see *my* movie." Which apparently doesn't come close to expressing how furious he was. With some justification--the director's cut was a fair bit more brilliant than what got released in the US (and I don't even want to talk about what was done to it for television). Also, it sure sounded to me like the director's cut had KaTe's cover of Brazil for the closing titles. I've hesitated to post this, as I didn't see any confirmation in the credits, and that movie (especially Terry's version) leaves me in enough of a daze that I could have imagined it. But it sure *sounded* like KaTe. -- -Dan Riley Internet: dsr@lns598.tn.cornell.edu -Wilson Lab, Cornell University HEPNET/SPAN: lns598::dsr (44630::dsr)