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[Account for Usenet System <news@sco.COM>]

Newsgroups: rec.music.gaffa
Path: jondr
From: jondr@sco.COM (Karen Silkwood's car)
Subject: Re: *** Great Hounds of Love interview 1 ****
Organization: The Santa Cruz Operation, Inc.
Date: Mon, 02 Mar 1992 19:03:47 GMT
Message-ID: <1992Mar02.190347.11869@sco.COM>
References: <63101@apple.Apple.COM>
Sender: news@sco.COM (Account for Usenet System)
Lines: 17


Ron Hill transcribes:
>        K: I had an idea of what I wanted to say in the song and I actually 
>asked Del to write me a drum pattern, and he wrote this great pattern in the 
>drum machine.  So I just put the Fairlight on top of it and that was the 
>basis of the song, with the drone [drum ???], which played quite an 
>important part.  

Definitely ``drone.'' She's talking about the breathy synth chord that
begins the song, runs all the way through, and is the last thing you hear on
the fade out.  That's known as a drone.

-- 
Jon Drukman (finely honed machine)              uunet!sco!jondr   jondr@sco.com
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Always note the sequencer - this will never let us down.