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From: Zimri Smith <ST701790@brownvm.brown.edu>
Date: Tue, 22 Oct 1991 14:05:47 -0700
Subject: Re: Love-Hounds Digest #7.330
To: LOVE-HOUNDS@EDDIE.MIT.EDU
Scott Fisher (I think) is after that flute sound that floats all over the damn place. I'm not sure of the spelling (as I'm at a computer center, not in my apt., where I could check it), but the original instrument is a Japanese flute called a shakuachi (or shakuhachi, or shakhuachi, or something like that) flute. Since it's probably a sample, it could come from anyplace, and end up on any sampling keyboard or in any keyboard that can play samples. If you're trying to find a sound on a keyboard that closely approximates this ubiquitous sound, try poking around with ones names something like the above-listed variations. Also, if you have a keyboard and are trying to get the same sound, try starting with a wood-flute sound, jack up the pitch modulation, and halfway through the note, while you're still holding down the key, briefly hit the key an octave above it. (This works -sort of- on my Kawai K-1.) It's possible that the sound came out of a Fairlight outputting to an 8-bit filter designed to cut off harmonics, then fattened up with a stacked Akai sample of a Minimoog and a PAIA synth, fed into a Casio SK-1, output to a Mac to hoover away the digital grit, re- sampled at Kurzweil and output to a demo-disk soundpage insert in the Social Register, from which it was sampled back into a Fairlight, and played back through a custom filter designed by Tom Scholz of the late, great band, Boston. I hope that settles that. Yo. Zim Smith (ST701790@brownvm.brown.edu)