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From: Doug Alan <nessus@mit.edu>
Date: Thu, 20 Dec 90 15:59:50 EST
Subject: Subliminal Criminals
Reply-To: Doug Alan <nessus@mit.edu>
Sender: nessus@media-lab.media.mit.edu
The following is from an article in the September 4th Village Voice entitled "Subliminal Criminals". It is an article on the recent trial of Judas Priest where they were being sued for allegedly putting subliminal messages on their albums that caused the suicides of two Reno teenagers: [...] a 32-year-old engineer/producer named Andrew Jackson (called to testify because he served as assistant engineer on the "Better By You" recording session 13 years ago) is asked if he knows any backmasked lyrics in the rock industry. "Yes, I do," he says with a Cockney accent so thick he has Judge Whitehead straining to understand him. "I produced a band just last month that had a song with the lyric, 'And I need someone to lie on. / And I need someone to rely on.' Played in reverse that becomes 'Here's me, / Here I am. / What we have lost. / I am the messenger of love.'" (The singer memorized the backward phrase, with all its reversals and sibilants and plosives, sang it on one track, and that track was used -- backward -- as a forward running vocal overdub.) At a later part in the trial, one of the band members -- to help defend against the claim of backward subliminal messages -- says that he recently listened to one of his records backwards and noticed that there are lots of phrases that sound forwards when played backwards, even though this was not done intentionally. It apparently just happens this way naturally, and you could find such weird backward nonsense phrases in any forward speech. He plays a tape he has made of some backwards excerpts from the album: A blast of heavy bass and Glenn Tipton's 32nd-note trill accompanies the fragment, "strategic force / they will not," from "Invader." Its reverse is the insane-sounding but entirely audible screech: "It's so fishy, personally I'll owe it." When Halford plays, "They *won't* take our love away," from the same song, the backward, "Hey look, Ma, my chair's *broken*," has the court room howling. McKenna and Lynch are livid. After a week of suspending my own disbelief, I lost it completely when Halford plays his last discovery -- the lines "Stand by for Exciter. / Salvation is his task" -- which come out backward with an emphatic and high-pitched, "I-I-I as-sked her for a peppermint-t-t / I asked for her to *get* one." |>oug