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From: ed@das.llnl.gov (Edward Suranyi)
Date: Thu, 5 Jul 90 19:43:10 PDT
Subject: MisK
I've got a couple of things. First, there's a review of the videos in _The Laser Disc Newsletter_, June 1990. I haven't actually seen the laser disc, but I guess it must exist. The reviewer (who is unnamed) talks about how the 8-inch is back again, and says: "The best of the lot is _The Sensual World Kate Bush The Videos_. Although the source material is mildly grainy, the sound is clear and the presentation is sufficiently effective. Each number is preceded by an interview, but the interruption is low key and not a real problem. Bush's music is free of stress and less cliched than her earlier efforts. [?!] She is finally using folk motifs as a light spice in her compositions, instead of employing them as the main meal. The videos, 'Love and Anger,' 'The Sensual World,' and 'This Woman's Work' are well crafted, compelling the viewer to pay attention without a bombardment of conflicting images. The title number is the best, adeptly evoking Technicolor chromatic designs to depict Bush tripping freely through a studio set forest." I've seen criticism of Kate's past work, but I've NEVER seen it called "cliched"! Next, _Option_ had a cover story on Kate a few months back. In the issue which just came out (Jul./Aug. 1990), there's a letter, right under a picture of Kate that takes up a third of the page. (Not one we haven't seen before, unfortunately.) Here's the letter: Dear Option: I can't thank you enough for Maria Montgomer Sarnoff's lengthy, illuminating piece on Kate Bush in the March/April issue of OPTION. I've grown accustomed to reading nothing more than the occasional "blurb" about this gifted artist who has been in the business long enough to deserve the sort of exposure that other, less talented artists seem to enjoy. And to see her gracing your cover, no less -- I'm beyond gratitude! What Kate Bush has brought to the world of music stretches way beyond the realm of conventional art. It's a whole psychology of images and feelings -- an unparalleled talent which, I fear, has perhaps hindered rather than helped her throughout her modest career -- her emotional accessibility makes people uncomfortable and therefore makes her unpopular. And yet, it is precisely Bush's ability to concretize the feeling values of all levels of the human experience that make her the sacred swan she is. Thank you, OPTION, for recognizing this too, and bringing such a great artist to light! Sincerely, Julie K. Dzengeleski Wollaston, MA Wow! As I said, there's a picture of Kate above this letter. The caption reads, "Sacred swan? Well, a bird in the hand . . ." That's it for now. Ed ed@das.llnl.gov