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From: Doug Alan <nessus@GAFFA.MIT.EDU>
Date: Thu, 01 Mar 90 14:24:54 EST
Subject: [paul@ATHENA.MIT.EDU: monthly music tape reminder]
------- Forwarded Message Received: by E40-PO.MIT.EDU (5.45/4.7) id AA21316; Thu, 1 Mar 90 13:26:15 EST Received: from HAL-2000.MIT.EDU by ATHENA.MIT.EDU with SMTP id AA09765; Thu, 1 Mar 90 13:26:58 EST From: paul@ATHENA.MIT.EDU Received: by hal-2000.MIT.EDU (5.61/4.7) id AA20059; Thu, 1 Mar 90 13:26:08 -0500 Date: Thu, 1 Mar 90 13:26:08 -0500 Message-Id: <9003011826.AA20059@hal-2000.MIT.EDU> To: nessus@ATHENA.MIT.EDU Subject: monthly reminder "Once more into the breach, my friends! Once more!" - _Henry V_ At this writing the 1990 net reader's music compilation tape seems to be right on schedule. I have received a half dozen tapes in two months, which extrapolates somewhat naively to eighteen submissions by June, which at five minutes per submission would fill a 90-minute compilation cassette. Of course I realize that only the Massachussetts Treasury would take solace in such a projection, so once again let me encourage readers to dust off their tape decks and run me off a cassette of at least one composition preferably under five minutes' length which will be included on a non-profit mail-order release during the summer. Each one of these postings generates a surprising volume of mail for me, so let me apologize in advance for not being able to answer everyone in depth, but not mean to dissuade anyone from writing anyway, especially with questions about the project. I seem to be unable to remember to save a copy of any of these postings, but this is probably an subconscious excuse to rewrite the instructions every month, as I have done here: - To appear on the 1990 compilation music cassette, send me a cassette tape of any type with one or more selections. Please include a paragraph about yourself and/or the music. - If you want to include additional music or notes on the tape just for my edification, it would be welcome. Simply indicate your choice of representative iof you have one. - Your music should be original. This is left for you to define. Aztec Camera's version of "Jump" was original, if you want a subjective guideline, while White Lion's "Radar Love" wasn't. Or was that Great White, or Whitesnake, or... Your own compositions are preferable. - Do not indulge in that favorite pastime of the previous decade: worrying about legal issues. Using someone else's music or lyrics will not precipitate a lawsuit on an operation this small, and it is doubtful that Joan Jett will steal your song and make millions of dollars. "All copyrights revert to the original artists" is the canonical disclaimer which will allow you to deal with it from your end if you so choose. - In the name of the deity of your choice I implore you: Do NOT worry that your production facilities are inadequate! Mike Gaines' basement four-tracks sound better than he realizes -- the content far overshadows any lack of engineering. - Your tape is non-returnable. No, I am not collecting free audio cassettes as some have humorously suggested; I am merely too busy. - In June I will make a master compilation and a label and insert, and have them mass-produced by a professional (ahem) facility. A previous market survey and prevailing rates will determine the cost; I expect to lose a small amount of change on the endeavor, but that's nothing new to any musician. People will be asked to order by sending me a check and a mailing address. Orders will only be taken for a limited time then, since I cannot afford to overstock. I am debating adding my own contribution, if I can figure out how to mike the trumpet so it doesn't sound like Adrian Belew. I may also include a four-color reprint of Doug Alan's Musical Navigation Chart, a masterful work of Old World cartography which depicts the world as bounded at the poles by Foetus and Madonna, and stretching from Hank Williams at one end to Al Jourgensen at the other (of course, on a globe these two are adjacent). Deadly rapids and doldrums which have destroyed others (Rush, Dire Straits) are clearly marked for the seagoing sojourner. I'm still trying to figure out where Beethoven and the Ketjak are on here, but anyway, the address to mail your tape to is: Paul Boutin Educational Initiatives Project Athena Massachusetts Institute of Technology One Amherst Street E40-300 Cambridge MA 02139 ps. If I get *one* piece of mail ranting about Knopfler or Peart, I'm punting the whole thing! :) ------- End of Forwarded Message