Gaffaweb >
Love & Anger >
1989-17 >
[ Date Index |
Thread Index ]
[Date Prev] [Date Next] [Thread Prev] [Thread Next]
From: microsoft!stevesc@uunet.uu.net
Date: Thu Sep 7 14:39:10 1989
Subject: Intention verses Interpretation
This note got eaten by my computer a while ago, and I didn't know it was still on the machine so I could try it again. Here goes... I have an amusing story about intention verses interpretation, dating back to my Freshman Honors English class. All through the semester I had been writing my honest interpretations of the books and the authors' intentions. I was getting mainly B and C grades (I hope those terms don't confuse non-U.S. readers), even though I was writing fairly well in both content and writing quality. I got tired of those kind of grades, and decided to try an experiment (not #4). The professor often highlighted Biblical (mainly Christian) and Freudian interpretations of the books we studied, some of which were probably intended, but many of which I found very questionable. My experiment was to try to apply those type of interpretations to a book which I saw no such interpretations, and believed the author had no such intentions either. The book we were reading at the time was _Being There_, by Jerzy Kozinski (I may well be misspelling his name), which was also adapted into a great Peter Sellers movie. First I read the book with the primary intention of enjoying it, and the secondary intention of keeping up with discussions of it in class, rather than the literature student's usual intention of interpreting a book. Later I simply paged through it at random, and read from the point that I opened the book until I came across something that I could warp into either a reference to the Bible or Freud. The main theme in my paper were that to Chance (the main character), television (the book's main theme) was God. I forget what my main Freud theme was, but I had a lot of ``evidence'' there too. I just kept searching for stuff until I had the volume of material I needed to write a paper of the expected length. My bogus evidence was voluminous enough that I almost convinced myself! The professor received the paper extremely well. She gave me a heavily weighted A on it, and used it as one of the examples in discussion. I ended up getting a B+ in the class because the paper was the last major project in the class, weighed heavily in the grade, and showed lots of ``improvement'' over my previous work in the class. I was proud of the good grades I got from that project. I was proud also of figuring out what it took to get good grades in that class. I was however somewhat disillusioned to find that honest opinions and my writing and interpretation ability didn't matter so much as my ability to write for the intended reader. Looking back, I value that class quite highly. Not because it taught me anything about literature, but because it taught me an important art in writing, the art of writing for a specific audience. Depending on the context, that art can be either ``readability'' or ``bullshitting''. I also got a nice story to tell about school from that class. Steve Schonberger microsoft!stevesc@uunet.uu.net "Working under pressure is the sugar that we crave" P.S. Can anyone identify my signature quotation before I reveal it? (I've already revealed it to some people.)