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belonged nowhere. She smiled at Terry Wogan while shifting buckets full of compact discs to the Strait generation. She dispensed with the walking-stick guitar solo and the comfortably melodious fretless basses and began using odd combinations of samples, sirens, bodhrans and banjos. Listen to last year's 'Hounds of Love' LP. There are three tracks from it here. Kate Bush was and is a law unto herself. And the voice just gets bigger and darker, climbing from the floor to the ceiling in the space of a line. 'Wuthering Heights' has a re-recorded vocal which is almost evil in its intensity. The single 'Experiment IV' is also included, proving that Kate is still missing the vital enzymes which help make you as sane as Mark Smith. 'The Whole Story' is big, black subversive pop, more useful and more enjoyable than the constipated jangling of a hundred and one little lads with big mouths and even bigger clothes allowances. Such people are not worth a carrot. Meat or no meat, Kate Bush is streets ahead. John McCready *******************************************************************