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belonged nowhere. She smiled at Terry Wogan while shifting
buckets full of compact discs to the Strait generation. She
dispensed with the walking-stick guitar solo and the comfortably
melodious fretless basses and began using odd combinations of
samples, sirens, bodhrans and banjos. Listen to last year's
'Hounds of Love' LP. There are three tracks from it here. Kate
Bush was and is a law unto herself.
And the voice just gets bigger and darker, climbing from the
floor to the ceiling in the space of a line. 'Wuthering Heights'
has a re-recorded vocal which is almost evil in its intensity.
The single 'Experiment IV' is also included, proving that Kate is
still missing the vital enzymes which help make you as sane as
Mark Smith.
'The Whole Story' is big, black subversive pop, more useful and
more enjoyable than the constipated jangling of a hundred and one
little lads with big mouths and even bigger clothes allowances.
Such people are not worth a carrot. Meat or no meat, Kate Bush is
streets ahead.
John McCready
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