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From: Doug Alan <nessus>
Date: Fri, 4 Oct 85 03:43:38 edt
Subject: Industrial
The first time I went to see Birdsongs of The Mesozoic, they were a warm-up band for Einsturzende Neubauten. Einsturzende Neubauten makes some *intense* rhythms -- this is *real* hardcore, not the relatively wimpy thrash punk that some people call "hardcore". It's not the sort of stuff I'd want to listen to every day, though. A friend sent me this letter: From: Robert Stanzel <apollo!rps@uw-beaver.arpa> Subject: Einsturzende Neubauten in the Wall Street Journal Excerpts from a long front-page (!) article in today's WSJ: ``Junk Rock Appeals to Noise Lovers, but One Gets Burned'' ``The demarcation line between music and noise has been erased. We have a new word -- sound,'' explains Louis Brunelli, and associate dean of the Juilliard School of Music. Fran Duffy says that young people are bored with ``the commercialized, pasteurized sound'' of run-of-the-mill rock. ``They want to hear something new.'' Neubauten, the German quintet considered the king of industrial rock [Oh?], constituted itself in 1980 without the slightest intention of using junk as instruments, but members made the switch when paying the rent required hocking their drums. These days, to save on transportation expenses, the group usually gathers new ``instruments'' in trash bins outside the halls where it performs. ``We do it to lose control, to get beyond limitations,'' says lead singer Blixa Bargeld, a former gravedigger, bartender and theatre manager who appropriated his first name from a brand of German ballpoint pens. There is something impromptu, however, about the mishaps that occur. An onstage fire during a Neubauten show in LA destroyed all the props for the second act, and at the same concert, the vibrations of a power drill caused record-company executives who were eating dinner a floor below to be showered with plaster. At least one fan got too close to a Neubauten bonfire and suffered burns on his arm. But, according to Mr. Bargeld, the fellow didn't seem to mind at all. SPK (Socialist Patients Collective) [Oh?] is one industrial group that has enjoyed a modicum of commercial success. The two-member band was signed by Elektra to a recording contract after selling on its own more than 50,000 copies of a single called ``Metal Dance.'' Brian Chin, a music critic for Billboard magazine, is one of junk rock's detractors. ``I hate it,'' he says. ``It's too damn noisy to listen to and doesn't have much of a beat.''